What We’re Playing – Mech May (2024)

ALL THE MECHS!

Hey everyone, Mazer here and today we are going to be talking about video games! Specifically the video games that we’re currently playing.

If I’m being honest with you, I just really could not come up with a topic to discuss this week. I don’t know what it is but I am just drawing a blank. As such, I decided instead to talk about the games we’re currently playing.

Funnily enough, the games we are playing somehow fell into the same genre of Action/Adventure games featuring Mechs! For those of you who do not know, I am not really a fan of Mechs. When it comes to Mech Anime, I find most of them rather dull. Naturally, there are some exceptions. I absolutely love the insanity of Studio Trigger’s Gurren Lagann and Production I.G.’s Gargantia on the Verdurous Planet.

Yet when it comes to Mechs in video games; I love them. I love how heavy they feel. I enjoy the satisfaction of seeing enemy mechs get pulverized, and I absolutely adore the power you feel when you get that massive punch through the enemy mech’s defenses. It’s satisfying as hell.

Do you remember Virtual On? It was a Sega game made for the arcades in the 90s and it served as my introduction to the Mech Game genre. Players sat in these chairs and used tank controls to move their agile mechs across the battleground while fighting off other mechs. What made it even better was the fact that you could battle other players as well. Such a good game!

I digress. We’re not here to talk about the past. We are here to talk about the present! So without further ado, let’s talk about what Mech games we are currently playing!

Gotcha Force (Nintendo Gamecube, 2003)

Gotcha Force is a funny little game. In it you play as a young Japanese kid who is approached by a tiny robotic alien called a Gotcha Borg. The Gotcha Borgs are recruiting children and preteens to help them defeat the evil Gotcha Borg empire – the Death Force. It’s a very Power Rangersesque storyline complete with rivals, betrayals, and twists.

Now, in order to defeat the Death Force, players must train, upgrade, and recruit Gotcha Borgs. This is where the game takes an interesting little turn. From what I’ve been told, Gotcha Force includes over 200 Borgs for you to seek out and collect. By battling other kids, you earn the chance of recruiting a new Borg. The more Borgs you recruit, the better your chances to defeat the Death Force.

Every Borg provides its own unique abilities. Some move faster, others deal more damage; some can teleport, some have rapid-fire weapons, and some can even nuke the entire battlefield. The wide variety of Borgs makes for fun gameplay as I rarely find myself sticking to the same team for more than a handful of battles.

I love this mechanic. I am one of those guys who sticks to a specific party if I find they serve my purposes. If they are getting the job done, what’s the point of swapping them out? Well that is not the case in Gotcha Force. For example; I was rocking a trio of Heavy Borgs – a traditional tank, a heavy melee Borg, and a Borg with a giant chainsaw. They were decimating the enemy! That is until I ran into a group of speedsters. These nimble little Borgs tore my heavies to shreds! This made me rethink my strategy. I swapped my trio out for a group of nimble ninja and gunslinger Borgs. With these faster Borgs under my control, I was finally able to defeat the enemy with few casualities.

Gotcha Force is a surprisingly good game. While it is not perfect (the camera angles can be a problem and the voice acting is laughable at best), it a lot of fun. We are currently streaming it Friday-Sunday at 11:30am – 14:30pm PST.

You can check out our first stream here!

Armored Core VI: Fires of Rubicon (Xbox Series X, 2023)

Dark Souls with Mechs.

There. That is all I have to say about this game.

Okay, that’s not entirely accurate. In fact, it isn’t the least bit accurate. Armored Core VI is the latest game from developer FromSoft. Known for their soul-crushing difficulty, FromSoft is responsible for such games as Dark Souls, Elden Ring, Blood Borne, and of course – Armored Core. This is, obviously, the 6th mainline game of the franchise and the first I’ve played.

I’m presently still in the early chapters of the game. That being said, I already love what I’ve experienced thus far. Whereas their other games instill a sense of helplessness in the player, Armored Core makes you feel like an unstoppable killing machine.

Well, for the most part.

Your mech feels satisfyingly heavy. Every step you make, every move you take (I’ll be watching you!) results in a satisfying THUNK. When you jump off a building, you FEEL the impact of your mech hitting the ground. Whenever you use your boosters, you FEEL the speed.

But it is the SCALE of the game that makes you feel like a bad-ass. What I thought were small drones were, in fact, full sized Helicopters. They were the size of my Mech’s arm! Tanks might as well be toys as I crunch them beneath my feet.

And the equipment! Oh the equipment! There are so many options from weapons to body parts that you can get lost in customizing your mech to your exact playstyle! Personally, I lean towards the heavily armored builds but the fact that I could swap out to a speedster build on the fly is fantastic!

That said; although you can rip and tear your way through the game’s version of Goombas with ease, don’t you dare think that this is a cakewalk. This is first and foremost a FromSoft game and it comes with the same difficulty the company is famous for. The rival mechs (the full-sized ones, not the fodder) can easily rip you apart if you aren’t paying attention. And the bosses? Forget about it! They are wonderfully insane and I look forward to tackling the challenge they present. Here is a clip of us facing off against one of the game’s early bosses.

Unfortunately, I am still early in the story so I cannot go into any further detail about its story or combat. But from what I’ve experienced so far, I love it!

Sand Land (Xbox Series X, 2024)

Sand Land is an Open World action game based off the manga (and later anime) of the same name. Written and drawn by legendary manga author Akira Toriyama, Sand Land was one of the last projects worked on before his untimely passing.

The game’s plot is as follows: Natural disasters and endless war has left the planet a desert wasteland. People and monsters alike struggle to survive on a daily basis. Taking care of the monsters (classified as demons) is the Prince of Demons, Beelzebub. The precocious scamp steals water and supplies from the greedy king’s forces and hands the supplies over to his people.

One day he is approached by a human sheriff named Rao. Rao informs the Prince that he may have discovered a water spring that could end the desert’s drought. Unfortunately he is not strong enough on his own to tackle the task at hand. He offers an alliance with Beelzebub – exchanging the location of the spring for the Prince’s strength and abilities. Beelzebub agrees and together they venture off into the desert to find the spring.

As of this post, I am only an hour and a half into the game. Just far enough to encounter my first mini-boss and first stealth mission. That said; I am loving everything that I’ve encountered thus far. The graphics are bright and colorful and just dripping with Akira Tomiyama’s artistic charm. The writing is akin to his other works as well. Charming, silly, with just the right amount of menace to make the villains feel like a threat without ever getting too serious.

Gameplay – mixed between driving around in your car/mech and moving on foot – is tight and entertaining. Usually in open-world games, I end up ignoring enemies while on my way to the next waypoint. That is not the case here. The combat is so satisfying – mixing up light and heavy attacks to build combos – that I find myself jumping out of my car at the first sign of enemies.

Sadly, I cannot really comment any further as I’m still very early in the game. I have yet to try out any of the mechs or tanks that have been shown in the trailer so unfortunately I cannot give my opinion on that mechanic. However, if the early gameplay is anything to go by, I feel like I’ll be enjoying the mech combat as much as the rest of the game.

We’ll return to this topic once I get further into the game but for now I just wanted to share my early impressions as it is one of the three games I’m currently playing!

What are you playing this month? Let us know in the comments!

The Fear of Knowing – Hannibal the TV Series (Season 1)

HannibalPoster

As of this month I have finally sat down to watch season 1 of Hannibal. Now I know what you are asking. Why has it taken you over 11 years to watch this show? Well, I’ll be honest. I just never got around to it. Yes, there is a part of me who wanted to wait until the show had wrapped up but beyond that, I never made time for the show.

I decided to change that. With my Dean Koontz backlog finished and my “Terror on Tubi” list caught up to 550 movies, I figured now would be the best time to pick up on Hannibal.

So I sat my butt down, fired up my Tubi app, and started watching season 1.

At the time of this entry, I am on episode 12 of season one. Just one episode away from the season finale. Honestly? I cannot wait to see how the season wraps up. What started off as a nice, slow burn has evolved into an inferno of manipulation, murder, and mystery. Despite knowing the end result of these characters, I have no idea how this season will end. I cannot wait!

That said, there is something I wanted to discuss. Hence this post.

Let’s call it the Fear of Knowing.

Knowing is Half the Battle

Fear is the unpleasant feeling triggered by the perception of danger whether real of imagined. Is someone following us? Is there something lurking in the shadows? These invasive thoughts work to keep us safe.

As a result, it only makes sense that most horror media focuses on the fear of the unknown. The unknown killer, the mysterious event, the bump in the night. This is what makes horror so effective. We don’t know what’s going on and through that, we are afraid.

But what if we did know? Would that ruin the experience? To that I say, no.

Let’s take a look at Nightmare on Elm Street for example. Freddy Kruger is only in the movie for about seven minutes. Before the finale, all we get of Freddy is his voice or a few shots of him bathed in the shadows. It’s a very effective tool. At this point of the franchise, we don’t really know what Freddy is. Is he man or demon? We just don’t know.

The sequels change this up. After the second movie, Freddy stopped being the boogeyman and instead became the main character. You can even see this in the movie posters. The original two movies kept Freddy’s appearance minimal. From three forward, Freddy became the face of the franchise.

Nightmare5 Poster
Nightmare1Poster

Certainly this diminishes his scare factor, right?

Wrong. While true the series became more comedic in tone later down the line, Freddy was still an intimidating villain. His ability to manipulate the dreamworld as he saw fit meant that he was always in control. This means that despite us knowing about Freddy Kruger and his powers, we still fear him.

Hannibal follows the same logic. Even though we the audience knows that Dr. Hannibal Lecter is a serial killer, that does not diminish the fear we have of him. In fact, I daresay it enhances the fear.

Those familiar with the movies and books know that Hannibal is a cannibalistic mass murder. A refined man who feeds upon the rude and kills when the mood strikes. It is this knowledge that enhances the show’s tension for now we are questioning every little thing Hannibal does.

For example; there are moments throughout season one where Hannibal invites the FBI agents to his home for dinner. The show makes it a point to show us the food he presents to his guests. Elaborate, delicious looking meals that belong in a five-star restaurant. It makes your mouth water as he explains the process in making each of these meals.

HannibalSeason1 Dinner

Until you remember where it came from. That is when the terror kicks in. As I said; we the audience knows he is a cannibal. The characters in the show, however, do not. So we watch in quiet horror as they eat the meat provided. Questions begin to form. Is Hannibal serving his guests human meat? No, he couldn’t possibly…

Then, as nonchalantly as talking of the weather, Hannibal says something to confirm our fears. Of course, the characters don’t understand what’s happening. But we do. We understand and we are horrified by that knowledge.

This is what I mean. While it is true that horror preys on the fear of the unknown; there exists moments where Knowing is scarier than Not Knowing. Season 1 of Hannibal is one of those moments.

Do you know of any other examples where knowing a character’s background enhances the suspense? Or are you a fan of the Hannibal series? Let us know in the comments! We’d love to read them.

Unexpected Horror: Dr. Stone

I have an odd confession. When I was little, I feared Anime more than I did Horror. In fact, I daresay that I got into horror a lot easier than I did anime. Why? Well because the anime that I knew about was violent as hell!

Now while I didn’t want much anime, I did have access to the internet. Through which I discovered clips and screenshots of some of the most detailed and violent movies and shows that 80s and 90s anime had to offer. Movies such as Wicked City, Bio-Hunter, Ninja-Scroll, and Violent Jack were all over the internet and just the site of animated violence was enough to make me feel queasy. Of course, things are different now that I am used to such things but as a kid, I avoided most Anime like the plague.

There were exceptions of course. I got into shows such as Lupin the 3rd, Dragon Ball Z, Sailor Moon, and Tenchi Muyo. It wasn’t until junior high that I started really getting into the harder stuff. I had a friend who lent me a collection of movies on VHS. I started off with Samurai Showdown (my first anime with blood – a quick moment of it spraying out of a character’s mouth), moved onto Ayana’s High Kick, then headfirst into Battle Angel Alita and Ninja Scroll. The former being my introduction to anime gore, the latter being my introduction to, well, everything else.

Since then, I’ve been a fan of anime. Anime such as Spirited Away, Gurren Lagann, Kill la Kill, Hellsing Ultimate, Outlaw Star, Hunter x Hunter, and so on. From the silly to the violent, from the action-packed to the psychological; anime has become another genre that I’ve come to adore.

I know what you are thinking. With an opening like that, I must be getting ready to talk about some kind of horror-anime. Something like Perfect Blue or Paranoia Agent. While I do love them, they are not what I want to talk about today.

What I want to talk about is the wildly entertaining and surprisingly wholesome anime, Dr. Stone.

Dr. Stone is an educational adventure anime that revolves around the hyper-intelligent Senku Ishigami. He is a 16-year-old high-school student with an obsession for science. It does not matter whether its chemistry, engineering, or astrology; he loves it all. So much so that he has dedicated most of his childhood to studying science in hopes of on day going to outer space.

All this changes, however, when a mysterious green light turns the entire human population of earth into stone. 3,700 years later, Senku breaks out of his stone prison and begins his tireless journey to restore the human population with his weapon of choice: science.

What follows next is a fun journey that educates as well as entertains. I highly recommend it. It really handles itself differently than other anime. Instead of having these big epic battles, Dr. Stone focuses on using science and engineering to solve their problems. Even when their enemies’ resort to violence, Senku and his crew fight back in the most peaceful and logical ways possible. It’s great.

Yet not even the wholesome Dr. Stone can escape the long-reaching claws of horror.

**Warning: The following contains spoilers for Season 3**

Season 03 of Dr. Stone finds Senku and his friends advancing in both science and technology. By this time in the show they have already conquered things such as radio communication, hot air balloon travel, and paved roads. They realize, however, that the next thing required for their Kingdom of Science is an improvement to their communication properties. This leads them to build a radio tower. To test its range, Senku and a handful of his allies take a small boat out onto the water and turn their newly boosted radio on. It is here that the horror begins.

Now, as mentioned before, this is a wholesome, comedic anime. The closest thing to a “horror movie moment” came during season 01 where the Senku and his friends discovered a lake of sulfuric acid. It is here where the show represents the deadly Sulfur Dioxide with the image of a rotting angel. She, like the Sirens of Greek myth, calls out to the protagonists in hopes of luring them to their deaths. It’s an intense scene and is admittedly rather scary. Though I would say that the fear comes from the real-world hazard that comes from sulfur dioxide; not the anime itself.

What happens on the boat, however, is a different story altogether.

After activating the high-frequency radio, Senku’s apprentice Chrome tries to contact the mainland. He wants to talk to the priestess of his village, a woman named Ruri. The radio works but as Ruri is about to respond, a stronger signal interrupts her. This signal provides a series of strange noises; noises that turn out to be a series of tapping.

Morse Code.

The team realize that the code is a single word. A single word that is repeating itself nonstop.

“Why?”

It is at this moment that I felt a chill creep down my spine. This is a primitive world. The only people alive are the ones freed by Senku or the natives of the village. Natives who have no concept of science and technology. And yet there is another signal out there in the world. A signal that didn’t exist until Senku and his team activated the radio tower.

Imagine this if you will. You are the only person alive on the planet. You have proof that you are the only person alive on the planet. Then, one day, you wake up to find a message spray-painted across your lawn.

Someone is out there.

And they are watching you.

You don’t know anything about them. Not where they came from. How long they have been there. Why they decided now to contact you. Only that they exist, and you are no longer alone.

That, my friends, is terrifying.

This is why I found the episode so scary. And what makes this specific scene so eerie is the fact that there is no build-up leading up to it. One minute our heroes are enjoying a nice day on the water, the next they discover an invisible enemy that is monitoring their activities.

So there you have it. Yet another example of unexpected horror. Tell us; what did you think of this episode? Did it send shivers down your spine or was there another moment in the show that you found as creepy?

Unexpected Horror: Rugrats Season 03 – In the Dreamtime.

Horror has the tendency of popping up when you least expect it. Case in point: Rugrat’s Season 03 episode “In the Dreamtime.”

Dreamtime Title

In the Dreamtime revolves around our favorite ginger-haired scaredy cat Chuckie Finster. He has been having a hard time telling the difference between his dreams and reality. What transpires next are several short dream sequences that keeps audiences guessing on what is real and what is a dream.

Space Dream

For example, there is a moment in the episode where Chuckie is explaining the dream world to the other Rugrats. Tommy takes inspiration from Chuckie’s dreams and decides to lead the gang of ankle-biters upstairs into Grandpa Pickles’ bedroom. The adventure starts off normal enough, but it doesn’t take long for the world to warp. The staircase grows longer and longer and the babies soon find themselves in outer space. Chuckie’s attempt to join the fun leaves him falling into nothingness. He wakes up with a scream and realizes that it was just another dream.

ClownStu

In the end, Chuckie realizes that dreams are just that – dreams. They cannot hurt him. His father Chas ends up comforting Chuckie before putting him down for the night. However, in a surprise twist, we follow Chas into the kitchen where he encounters a deformed, clown-faced Stu. He wakes up with a shout as the episode ends. This leaves audiences wondering whether it was really Chuckie’s dreams we’ve been watching or Chas’s. Either way, it ends on a creepy note.

The episode obviously takes a lot of its inspiration from horror. The idea of being unable to tell the difference between the Real World and the Dream World is probably one of the oldest tropes of the genre. We’ve seen it in such movies as Phantasm, Donnie Darko, episodes of the Twilight Zone, and the granddaddy of them all: Nightmare on Elm Street.

RugratsDog

To add to the horror, we then have the scene where Chuckie decides to talk to the neighbor’s bulldog. Now this is not a sweet pupper like Tommy’s dog Spike. No. This is an angry, frothing at the mouth, raging bulldog that wants nothing more than to tear Chuckie apart. Luckily, Tommy is able to distract the dog with a stick before Chuckie gets hurt. Still, that does not negate the fact that we just watched a baby nearly get mauled by the neighbor’s dog!

Then you have the sudden, and rather horrific transformations of Tommy and Stu’s faces. These transformations, being so quick and random, reminds me a lot of Large Marge from Pee Wee’s Big Adventure. For those of you who don’t know – Large Marge was a truck driver that Pee Wee Herman hitches a ride with while looking for his stolen bike. She tells Pee Wee about a terrible accident of which she was a witness too. When she describes the dead person’s face, her own suddenly twists and contorts; much to the shock of Pee Wee and the audience.

ClownTommy

Clown-Face Stu and Clown-Face Tommy follow the same idea. Both keeping their faces normal, or hidden, before the big reveal. Combine that with their suddenly squeaky and high-pitched voices (‘When I Talked. Like. THIS!”) and you got yourself one memorable episode.

And memorable it is. In the Dreamtime is one of the most talked about and referenced episodes of the Rugrats. People, to this day, still consider In the Dreamtime to be one of their earliest experiences of ‘nightmare fuel’ with many fans still considering it to be one of the creepiest episodes of this long-running franchise.

And I agree.

At the time of this post, In the Dreamtime is currently available to stream on Paramount +.

Twisted Metal S01E01: WLUDRV Review

Hey everyone Mazer here and today we are talking about the peacock original series Twisted Metal. Specifically, episode one as it is the only one, I currently have access too.

Twisted Metal is a fast-paced, vehicular-combat game heavily inspired by the Mad Max trilogy. Co-created by legendary developer David Jaffe (God of War), it quickly became a cult hit that spawned several sequels including Twisted Metal Small Brawl and my personal favorite; Twisted Metal Black.

Gameplay consists of players taking control of a wide variety of colorful drivers and pitting them against one another in a battle-royale setting. What made Twisted Metal so much fun was that the battles did not take place in arenas but public spaces. You would battle through Los Angeles, Paris, even Antarctica. The world was your playground. And each game in the franchise raised the bar. We got more vehicles, more weapons, more arenas, and more chances to destroy everything in our path.

As the games evolved so did the combat. Every car played differently – some faster, some slower, some able to take more damage, some able to give out more damage, etc. Levels would become destructible – giving the players the ability to destroy buildings, Ferris wheels, and even airplanes. In Twisted Metal Black these destructible environments would give way to hidden areas which would almost double the size of some maps. 

However, there was more to Twisted Metal than the combat. Like Mortal Kombat before it, Twisted Metal contains a shocking amount of lore and continuity. While several characters only exist within their specific game, there are those who survive and continue on. Most notably the Kanes; Charlie Kane, Marcus Kane, and Needles Kane. These three, along with Calypso, would play a pivotal part of the franchise’s storyline. And while I would love to do nothing more than talk about how their stories intertwine, I am here to discuss Twisted Metal’s latest in-CAR-nation; the Peacock Original Series.

This is our review of Twisted Metal Episode One.

[WARNING: SPOILERS]

WLUDRV

The episode begins with, what else? Narration.

Our narrator is John Doe and explains to us that a computer virus is responsible for wiping out all modern technology including the wireless communication, power grids, and even online porn. In order to protect themselves, cities around the country exiled their criminals before erecting gigantic walls around their borders. Those on the inside were stuck on the inside and those on the outside were stuck on the outside.


Now in order to survive the apocalypse the cities needed supplies. That is where John Doe comes in. He is a “Milk Man” – a driver who delivers supplies from one city to the next. John Doe has been a Milk Man for most of his life and he drives a heavily armored 2003 Subaru that he affectionally named Evelyn.

John Doe is good at what he does. He is an expert driver, a crack shot, and has survived more deliveries than most other Milk Men in his territory. This success has not gone unnoticed, however, as he is soon invited to a meeting with New San Francisco’s COO, Raven. She offers him a job; to go to New Chicago to pick up a package and deliver it to her within ten days time. In exchange, she will grant him citizenship to New San Fran. But if he is even a second late in the delivery, the deal is off.

John Doe agrees.

Meanwhile, along the Nevada Border, a purple hearse is desperately trying to escape pursuit of a heavily modified police cruiser. The hearse belongs to a pair of unnamed siblings played by Richard Carbel and Stephanie Beatriz while the cruiser is being driven by the relentless Agent Stone who is being played Thomas Hayden Church.

It does not take long for Stone and his deputies to destroy the hearse and capture the siblings.

Stone then explains that he is trying to restore law and order to the wastelands. And in order to do so, he will punish any crime, no matter how small, with extreme prejudice. He offers them a choice. If either one takes their own life, he will let the other go. The brother volunteers and quickly executes himself before his sister can intervene.

True to his word, Stone releases the sister but not before branding her with his sheriff’s badge. He warns her to stay out of trouble least she suffers his wraith a seco nd time.

Back in California, John Doe is seeking a map to New Chicago. He visits an old friend, a gas-station attendant named Tommy. Tommy provides John Doe with directions but warns him of the dangers waiting outside of California. The biggest of which being along his route in the city of Las Vegas. John Doe does his best to reassure his friend before venturing back out on the road.

He is able to make it to the outskirts of Vegas before being ambushed by the unnamed sister. She lures him out of his car at gunpoint with the intent of stealing his Evelyn in order to pursue Agent Stone.

He tries to calm her down but the sound of music interrupts him. And not just any music. It is the jingle of Sweet Tooth – a polka-dotted ice-cream truck driven by none other than the psychotic clown-masked killer Needles Kane (played by wrestler Joe Seanoa and voiced by Will Arnett). His maniacal laugh fills the air as the screen cuts to black and the credits roll. End of episode one.

Our Thoughts

Now what I say, I say as a hard-core fan of the Twisted Metal franchise. I absolutely love the direction the studio is going with this. They realized that Twisted Metal is an insane property that should never be taken too seriously. I mean, this is a franchise where a bunch of lunatics shoot at one another from inside crazy vehicles all in the hopes of getting their one wish granted by a burned man in a suit. The cast includes homeless men, killer clowns, race-car drivers, construction workers, a shadowy demon, the literal embodiment of death, taxi drivers, stoners, and in one game, a man in a gimp suit. The series has always had a twisted sense of humor to it and it is this humor that the show embraces like a straitjacket.

I mean, right off the bat we get a car chase that takes place inside of a God-Dang shopping mall. How Twisted Metal is that? Not to mention that the cars all look like they belong in the Twisted Metal universe – with armored plating, mounted machine guns, and rocket launchers on the roof. What I especially enjoyed was the colored smoke trail that came out whenever a rocket was fired. For those of you who don’t play the games, the missiles of Twisted Metal are all color coded; purple for homing, red for power, and orange for fire. It was a great attention to detail that I absolutely loved.

As far as the story goes; I am digging the apocalyptic take that the writers are going with. At first, I was skeptical about the whole ‘delivery man’ premise but it seems to work really well. It makes sense that the characters of Twisted Metal would be in control of their own territories. This way we can be organically introduced to them as time goes by. I am really excited to see who else John Doe runs into over the course of his journey.

Speaking of, let’s talk about the characters. Anthony Mackie is wonderful as the fast-talking John Doe. He is charismatic, charming, and a delightful smart-ass. He’s a fantastic choice for our main character and I really find myself rooting for him.

On the other side of the coin, we have Neve Campbell playing the COO of New San Francisco. At first I found her performance to be a little rough around the edges. However we soon discover that it is because she is pretending to be someone she is not. I still have some reservations about Neve’s performance but for now, I want to see more before passing judgement.

As for Thomas Hayden Church as Agent Stone and Stephanie Beatriz as the unnamed sister; I feel we don’t have enough screen time to judge either one of them proper. As of right now, Church seems to be nailing it as the corrupt Agent Stone whereas Stephanie is doing a good job at playing an angry, troubled person with a mysterious past. Hopefully both characters stick around so that we can get to know them a bit better. Only time will tell.

Finally let’s talk about the series’ mascot Sweet Tooth. I don’t know what kind of sorcery the showrunners did to pull Needles Kane from the games into the real world but they did it. He looks fantastic. Exactly like his video-game counterpart from Twisted Metal Black. His size, his movements, his mask; they are absolutely beautiful. I cannot wait for the next episode where I can enjoy Needles in all his live-action glory. 

What we loved

Now if you’ll forgive me, I am just going to go on a little tirade on all the things I loved about the episode.

  • I absolutely love the car combat. While we didn’t get much of it, what we did see is on point.
  • Paying John Doe in car parts and weapons instead of money. It makes sense! What purpose does money serve in the wasteland.
  • It isn’t afraid of getting violent. Blood, guts, and gore baby!
  • The cars are BEAUTIFUL! Shadow, Outlaw, and Sweet Tooth all look like they came straight out of the video game. Even Eveyln, who is a new car, is wonderfully done.
  • The show seems to be mixing the dark humor of Twisted Metal 1 and 2 with the characters of Twisted Metal Black. Raven, John Doe, Agent Stone, are all characters in Twisted Metal Black. Whereas Sweet Tooth’s design comes from his Black incarnation.
  • The humor is on point and isn’t afraid of going dark.
  • Two words: Baby Seal
  • Despite being only 30 minutes in length, they did a great job creating a believable world that can exist in the Twisted Metal universe. I want to see more!

And there you have it. As it stands, I am very happy with how Twisted Metal is being portrayed. This is a franchise that never took itself too seriously and I am glad that the showrunners are playing up to the games’ tongue-in-cheek humor. Now let’s hope that the other episodes are just as strong. Stay tuned as we will be covering each episode as we watch them! Hope to see you then!

Vehicles/Characters in this episode:

  • Evelyn (John Doe)
  • Shadow (Quiet and Loud)
  • Outlaw (Agent Stone)
  • Sweet Tooth (Needles Kane)