What Are We Playing: Silent Hill Shattered Memories

Hey everyone, Mazer here and today we’re going to be talking about what we’re playing. It’s been a while since our last blog post for which I apologize. We’re currently working on several projects – including a board game, our live streams, and even some cross-stitching. It can be difficult balancing everything on top of updating out blog. But we’re trying. I promise you.

So. What is today’s post about? Well let me tell you! As of the last week of September, we’ve been doing our annual Horror Game Marathon! We started off strong with our usual Silent Hill 2 and 3 – gaining the Dog Ending and the Heather Beam unlockable respectively. Afterwards, we tried something new with the voice-controlled Playstation 2 game LifeLine.

That was an experience…

It was a combination of things that made Lifeline such a pain but we persevered and added the game to our Beaten collection!

We washed the taste of LifeLine out of our mouths with a bit of Mortuary’s Assistant. This particular game proved to be more than meets the eye. I had originally thought it was nothing more than a “jump-scare simulator”; a game that strictly focuses on providing jump scares than an actual storyline. I was wrong. It has a detailed story that you uncover across multiple playthroughs. It was a great game and I loved every second of it.

Afterwards we touched upon the horror, stalker game Clock Tower 3. After playing the fourth game in the franchise, The Haunting Grounds, I wanted to explore the other ones in the franchise. Let me tell you, Clock Tower 3 was a wonderful surprise. Not too difficult – we beat it in 3 session – with a killer sound track, great enemy designs, and an enjoyable storyline. The final boss was, admittedly, a pain in the butt, but overall the game was fantastic.

Next on the list was a game voted upon by our Discord Chat; that being the Playstation 1 classic, Dino Crisis. Now, I won’t lie. I was a bit anxious when it was chosen. I have nothing against playing older games – hell, most my channel is me streaming them. It’s just that some games, especially old survival horror games, can be more frustrating than fun. This goes double when you’re trying to stream them.

Luckily, Dino Crisis proved to be an entertaining experience. The game was no where near as stiff as its Resident Evil counterpart and it balanced fighting and running away expertly. I enjoyed the game so much that I feel like adding it to our yearly rotation alongside Silent Hill 2 and 3 – at least until we unlock the other two endings.

What We’re Currently Playing

With Dino Crisis added to the Beaten List, we’ve moved on to another game in my backlog. Silent Hill: Shattered Memories.

Now, I will admit that while I profess my love for the Silent Hill franchise, I’ve only played 2 of the several games released. I’ve played the first half of Silent Hill 4: The Room but lost interest when I realized the second half of the game would consist of repeated levels and escort missions. I have yet to play the original game (Maybe we’ll fix that next year) or the games after 4.

Ergo, I’ve taken the advice of one of my followers and started Silent Hill: Shattered Memories for the Wii. A different style of Silent Hill game, this is an artistic retelling of the first game. We follow Harry Mason as he looks for his daughter Cheryl Mason within the cursed town of Silent Hill. Hit by a frigid blizzard, we must guide Harry through several key locations as he searches for Cherly.

We are three chapters deep and as of right now, I’m loving it. the icy environment is a stark contrast to Silent Hill 2’s wet environments or Silent Hill 3’s hot and rusty landscapes. But what really sets Shattered Memories apart is the combat and its psychological mechanics.

In Shattered Memories you are unable to fight against the various creatures you come across in the Dark World. Instead, you must run through glacial environments while avoiding skinless beasts. You can sneak by them – either by turning off your flashlight and moving quietly or ducking inside various hiding spots. Or you can do what I do – run like a bat out of hell as quickly as I can.

There are ways to defend yourself during these events. You could either knock items over to slow the demons down or use road flares to scare them away. Those are the methods that I usually use when escaping the entities.

The other mechanic – the psychological one – alters the game’s cutscenes, environments, and even Harry’s interactions with other characters based on how you answer questions or interact with your psychologist. You see, throughout the game you flash forward to an interview with your therapist. He asks you several different questions and even hands you paperwork to fill out. How you respond greatly effects the game. I am curious to see how subsequential playthroughs will turn out when we choose different answers.

Hopefully, we’ll find time to review this game properly. Until then, we’ll be continuing our adventure in the chilly wonderland that is Silent Hill Shattered Memories!

I hope to post again shortly! I am Mazer, please have a great day and a better tomorrow, and I’ll see you next time!

Reflecting on Poltergeist – “No More.”

Everyone has that one movie they use to officially kick off the Halloween spirit. My wife’s, for example, is The Rocky Horror Picture show. Mine on the other hand, is Poltergeist.

Poltergeist is, hands down, one of my favorite horror movies of all time. It is the perfect balance between terror and wholesomeness. On one hand we have the slowly growing threat of the spirits’ takeover of the homestead. On the other, we have the loving family dynamic between husband and wife Steven and Diane Freeling. I could write an entire post surrounding the love these two have for one another but for now, I would like to focus on another character.

That of their youngest daughter Carol Anne.

For you see, there is more than one love story in Poltergeist. We have the love between Steven and Diane, but also the love between Diane and daughter Carol Anne. A majority of the movie revolves around the mother’s feelings towards protecting, and later finding, her daughter.

Hell. One of the movie’s strongest and most emotionally charged scenes is when Carol Anne, trapped within the spirit world, runs through Diane. Diane then describes the sensation. Talking about how Carol Anne touched her soul and how she can now smell her daughter on her clothes. It is a powerful scene that really hammers home the love Diane has for Carol Anne and is another fine example of just how well made this movie is.

With that out of the way, let’s discuss something I noticed during my most recent viewing. Carol Anne’s “No More.”.

“No More.”

As I had mentioned before; the primary story of Poltergeist revolves around Steven and Diane trying to save their youngest daughter from the spirit world. After several stressful days and sleepless nights, the Freelings get in touch with a medium who agrees to help them.

They concoct a plan to send Diane into the spirit realm to find Carol Anne and bring her back to the world of the living. The plan succeeds resulting in reunion of Carol Anne with her family. The next day, as Steven and Diane pack up their belongings to move away, we learn that Carol Anne seems to have no memory of what happened. According to Diane, the little girl is as happy and as care-free as she has always been – much to the relief of her parents. No expensive therapy for this wee one.

I don’t know why, but for some reason I ended up focusing on that line. What was it that made this line stand out so much? Then it hit me. Carol Anne’s whimper of “No More” meant that she did, indeed, have memory of being inside the spirt world. She was fully aware of everything that had happened to her the previous night and she did not want experience that horrific event again.

Now I don’t know if this was the intention of the writer and director but for me, at least, it adds just that much more tragedy to Carol Anne’s experiences. The poor girl wants nothing more than to forget everything that happened only for the entities to try and pull her back in. It is as heartbreaking as it is terrifying.

What are your thoughts on this scene? Is this just Carol Anne’s reaction to another ghostly event – having already experienced such things earlier in the movie? Or is she expressing fear based off her memories of being within the spirit world? Let us know in the comments below!

I would also like to take a moment to apologize for our lack of updates. We are working to keep moving forward with entries – whether they are brief discussions such as this one or fully detailed reviews. We appreciate your patience!

Death Machine (1994) Review: Enthusiastically Weird

What is is About:

MegaCorporation CHAANK ARMAMENTS is the world’s leader in weapon’s manufacturing and development. Their latest experiment in cybernetically enhanced super soldiers is a complete failure; resulting in the deaths of dozens of civilians. As a result, the newly appointed CEO, Hayen Cale decides to terminate the contract of the one responsible: Jake Dante. Unfortunately, Jake doesn’t take this news lightly and unleashes his latest project – a death machine called the War Beast – into the building with the intention of slaughtering everyone involved in his termination. Cale, along with a band of coworkers and misfits, must now find a way out of the building before it’s too late.

(Non-Spoiler) Review:

I have a soft spot for these weird B-Movies that existed during the mid 80s to late 90s. Especially when they involve killer machines and practical effects. I don’t know what it is that I love about them. I just know that I do.

1984’s Chopping Mall is the best example I can think of when describing this sub-genre. It’s just a bunch of clunky robots rolling about, killing everything in their path. It’s silly, it’s absurd, and it’s a lot of fun to watch.

Death Machine falls into that same absurdity pool that birthed Chopping Mall. You’d think a movie about a giant killer machine that resembles a walking bear-trap covered in Raptor Talons would be dumb.

And you’d be right. It is dumb, but it is dumb in all the right ways. Okay. Death Machine is this weird, hyperactive work of art that somehow balances horror with insanity.

How do I mean? Well, let me give you an example.

There is a moment in the movie where our villain, Jack Dante (Played by the delightfully entertaining Brad Dourif) is threatening our protagonist Hayden Cale (Ely Pouget). He is trying to blackmail her into sleeping with him to which she responds by putting a gun to his head.

Dante then goes to his knees and continues talking dirty. It is at this point that we realize that to Dante, this is just foreplay. He’s getting off on it. Only when she pulls the hammer back on the gun does he realize that she is serious.

Now, by itself, this scene sounds rather tense. Our hero is dealing with a sick, sexual deviant who clearly gets off on violence. It’s impactful and gives us some insight to how Dante’s twisted little mind works.

But then the scene keeps going. After apologizing for not realizing that it was “Her time of the month.”, Dante raises his arms and runs out of the room while pretending to be an airplane.

I could not make this up even if I tried.

This is only the tip of the insanity ice burg. You have eco-terrorists quoting Street Fighter during combat. Then there are the characters named after famous horror icons (My favorites being a pair named Waylen and Yutani respectively). Then you got the War Beast itself. It is this obscenely gigantic practical puppet that somehow looks as badass as it does ridiculous. And finally you have Brad Dourif himself who chews the scenery as a mouse does cheese.

Seriously, what even is this movie?

I’ll tell you. The movie is Fun. It is well paced, comedically written, enthusiastically weird, and entertaining as hell.

And in the end, that is all that matters.

I give Death Machine a 5/5.

Unexpected Horror: Final Fantasy XII – The Zodiac Age

As mentioned in our previous post; Final Fantasy XII: The Zodiac Age has been a pleasant surprise. I had originally played it on the Playstation 2 back when it launched. It was unfortunately not my cup of tea. At the time, I felt as if the game had made too many changes. From the combat, to the setting, to the heavily political storyline, to the license system. It just didn’t feel like MY Final Fantasy.

That opinion has since changed. For one reason or another, I had declared on my stream that 2024 would be the “Year of JRPGS”. We started with Skies of Arcadia, moved to Secret of Mana, and are now playing Final Fantasy XII: The Zodiac Age. It is the first time I’ve touched the game since launch and let me tell you; I am glad that I did. The game is phenomenal. The story is layered, the characters nuanced, and the language mature. I love it.

But you know what else I love? I love the fact that this is the first Final Fantasy game that has ever frightened me. I’m not talking about the feeling you get when fighting a boss with no health potions and down three characters. I’m talking about legitimate fear.

Allow me to explain.

The Horror of Final Fantasy XII: The Zodiac Age

So there I am, nearly twelve hours into the game when I stumble across a mysterious tunnel in the middle of an open field. Without thinking, I decide to explore the tunnel. I mean, what could go wrong? I had some decent equipment and I have been handling most enemies without problem.

My average level was 16 when I entered the “Zertinan Caverns”. Immediately upon entering the caverns we notice a trio of green horses with horrible tentacles protruding from their necks. Their design was disturbing but for some reason that escapes me, I decided to step forward.

Big mistake.

Mallicant Enemt

For you see, these horses, called Mallicants, were not the same as the goombas on the surface of which I had been destroying with relative ease. No. These horses were almost doubled my level! According to the wiki page, Mallicants averaged between levels 37 and 38.

Guess who didn’t realize that until it was too late?

Correct. This guy.

I noticed almost immediately that the Mallicants were taking little damage from my attacks. This sent me into a full blown panic and, for whatever reason I cannot fathom, I decided to retreat…

FURTHER into the cavern. The exit was right behind me but instead I ran deeper into the caves! I watched in absolute horror as these Mallicants teleported behind me. Kicking me, blasting me with status ailments, and obliterating me with lightning magic. One by one my party fell to their onslaught until, with only Penelo remaining in my party, I escaped into the next room.

Free from the horses, I took a moment to revive and heal my party as well as compose myself. I figured that this had been a player error. That if I had just attacked the Mallicants one at a time, I would have handled the situation much better. With that in mind, I decided to push even DEEPER into the cave system.

I mean, why wouldn’t I? Despite the fact that I was severely under-leveled, I just could not help myself to the idea that the Caverns would contain some awesome loot.

I raced through the next room without much problem. I avoided the Mallicants with ease and stepped into the third chamber of the Zertinan Cavern only to be greeted with an underground sand storm. Confused, I ventured deeper into the storm only to lay witness to a horrifying cut-scene. From the dust emerged a gigantic being with massive claws, huge wings, and a jackal-like face. Purple lightning erupted from its body and it’s at that moment when I realized I had encountered an Esper – a super powerful magical being of which I was not prepared for.

With my tail tucked between my legs, I ran out of that chamber as fast as I could. Unfortunately for me, the Mallicants who had chased me prior were waiting for my return! Once again, I found myself running for my life. My party members falling, one by one, as I pushed towards the exit.

Wounded and dying, I was able to push my way through the cavern and back to the field from which I came. You can watch the entire exchange below.

Eldritch Horse of Doom

I escaped the Mallicants by the skin of my death. Now, you would think, “Surely, he’s learned his lesson.”

Well. You’d be wrong. Whereas most people would stick to locations best suited to their current level, I continued to push myself into dangerous situations in hopes of finding that sweet, sweet loot.

This desire would lead me to the absolute nightmare that is the Necrohol of Nabudis. While this dungeon did contain some fantastic armor and loot, it also contained some of the worse monsters in the game.

Admittedly, my first attempt failed spectacularly. My second attempt, however, was a lot more promising. Armed with better weapons and more patience, I took down every enemy one or two at a time until I finally made it to the final floor of the dungeon. After clearing the floor of enemies, I noticed a strange purple shimmer emanating from the center of the room.

This purple shimmer became a horse. A Mallicant-like horse comprised of purple and blue flames.

Ha! I thought. If I could take down the dungeon’s other enemies, I surely could take this guy down as well!

Then I targeted him.

HELVINEK: LEVEL 49, HP 9,999

I hit the Helvinek with my strongest weapon. did about 1,200 damage.

It’s health still read 9,999.

Oh no.

OH NO, NO, NO!

I ran. I ran as fast as my characters could towards the closest exit. All I had to do was leave the chamber and I’d be safe. Like the Mallicants before it, the Helvinek chased me relentlessly but, just when all hope seemed lost, I made it to the next chamber!

I breathed a sigh of relief and took a moment to heal my party. We had survived and now it was only a few chambers away from the dungeon’s back exit. We were in the clear.

That’s when the Helvinek re-appeared before me.

To my horror, I realized that this enemy was not your average eldritch horse demon. No. Like Resident Evil 3’s Nemesis, the Helvinek could FOLLOW ME INTO OTHER ROOMS!

We ran. We ran as if our lives depended upon it. I could NOT die down here. Not after spending all this time collecting all this loot.

The Helvinek kept up with us. To my horror, I watched as, once again, my party fell to its onslaught. Flashbacks to the caverns riddled my mind as bullets would riddle a body. I couldn’t die here. Not like this!

One character remaining. Less than 1,000 hit points remaining and we made it out of the dungeon. To my relief, the Helvinek did not pursue us into the forest beyond. We were safe.

The Horrors Explained

It isn’t uncommon for gamers to encounter an area that is well beyond their current level. In fact, many open-world-games boast this feature. They allow players to explore the map at their own peril. Two games that immediately come to mind are Elden Ring and Mad Max – both allowing players to go to territories that are far beyond their current capabilities. However, with the appropriate planning and preparation, players can make it out of these territories alive. Barely, but still, alive.

There is a risk-and-reward system in place for games like these. Do you venture into forbidden territory in hopes of scoring a magnificent weapon or a devastating spell?

You could sneak your way through these areas, kiting enemies one by one until you make it to the chest containing you precious loot. Or you can just run in at full speed, screaming as you do, past the enemies toward in hopes of avoiding them just long enough to find the treasure.

Either way, you now find yourself in a dangerous situation. Just because you got to the treasure does not mean you can make it back out alive. And with Final Fantasy XII’s autosave system (saving every time you venture into a new room) – there is a strong possibility that you can end up stuck in a dungeon and forced to revert to the last manual save done outside the temple, thus losing all the loot found within.

That, my friends, is the horror of which I speak. The knowledge that all your hard work, all your planning, could be for naught. One wrong move, one wrong enemy spawn and BAM! You’re stuck. You have the loot but can you make it out alive?

This is exactly what happened to me the first time I entered the Necrohol. I got stuck without any revival items and my healer was dead. For about half an hour I attempted my escape only to die over, and over, and over again. Finally, I had to concede and reload my last save losing about an hour’s worth of work.

I’ve always described horror as “Characters stuck in a situation that they cannot control.” and that is where I found myself. I was stuck. I was nervous and afraid of losing all my progress.

It’s a different kind of horror than what you experience during Resident Evil or Silent Hill. It’s not the ever lingering sense of dread that these games build up but instead the fear of being trapped in, as I said, a situation you cannot control.

And it is this reason I am adding Final Fantasy XII: The Zodiac Age to our list. The fact that this bright and colorful game can inflict such dread throughout my playthrough is proof that horror can exist in the most unexpected places.

Abigail Review: Blood on the Dance Floor

If I may be so bold; we are experiencing a new Horror Renaissance. The last time Horror achieved this kind of fame and popularity, it was during the late 90s with the release of SCREAM. Before then, horror was a bit stagnant. We had some good hits, sure, but it was becoming a bit repetitive. SCREAM changed that with its unflinching violence and meta commentary. Then we had the rise of so-called “Torture Porn” with SAW and HOSTEL followed by the Remake/Reboot Revolution.

Then, around 2009/2010, we entered a new age of Horror. One that focused more on creative freedom. Leading the charge was Blumhouse Productions – a production studio that focused on lower-budgeted movies in exchange of higher creative freedoms. This method has done wonders for the studio as it produced such blockbusters as the Paranormal Activity, Insidious, and Purge franchises. They also produced some of the last 10 years’ most acclaimed horror movies like The Invisible Man (2020), Get Out (2017), Upgrade (2018), Halloween (2018), and M3GAN (2023).

Then we have MonkeyPaw Productions which co-produced the aforementioned Get Out along with US, (2019), Candyman (2021), and my personal favorite, NOPE (2022).

But it’s not just production companies. We’ve seen a rise of new blood as well. Writer/Directors such as Ari Aster (Midsommer, Hereditary), Robert Eggers (VVITCH, The LightHouse, The Northman), Mike Flannigan (Oculus, Haunting of Hill House, and The Fall of the House of Usher), and James Wan (SAW, Conjuring, Insidious).

Included in this new renaissance is Abigail production/directorial studio Radio Silence. Known for their over-the-top violence and humor (SCREAM, SCREAM VI, Ready or Not), Radio Silence is quickly becoming one of my favorite new studios.

So how did they do with their latest project? Well let’s talk about it and find out. This is our review on Radio Silence’s Abigail.

Story

Abigail is the story of the titular character and her kidnappers. A mysterious man named Lambert (Giancarlo Esposito) hires a crew of six to assist him in finding, and capturing, the daughter of a rich man. The daughter in question is the 12-year-old ballerina Abigail.

The kidnapping goes off without a hitch. They abduct Abigail and deliver her to Lambert. Now, the only thing left for them to do is wait for the ransom. Once paid, they will find themselves 7 million dollars richer.

What the team doesn’t know is that there is more to this mission than meets the eye. Now they must work together if they hope to make it through the night in one piece.

**WARNING SPOILERS FROM HERE ON. IF YOU WISH TO AVOID SPOILERS, PLEASE SCROLL TO OUR CONCLUSION**

REVIEW (SPOILERS)

I do not normally include spoilers in our reviews but Abigail forces my hand. If you have watched the trailers, then you already know what I am about to say. If you haven’t – then this is your final warning.

The trailers (as well as all promotional media) show Abigail for what she truly is. A centuries-old, blood thirsty vampire. One who turns the tables on her kidnappers; turning them into her playthings. As a result, we get an absolutely hilarious bloodbath where a 12-year-old little girl beats the ever living hell out of a group of several able-bodies adults.

It is this kind of absurdity that Radio Silence excels at. We see this in SCREAM VI but more so in what I consider their best movie; Ready or Not. Like Ready or Not, Abigail’s humor stems from the absolute insanity of the situation.

Watching 14-year-old Alisha Weir tearing through a bunch of grownups is a joy to watch. Whether its tossing a 250lb man like a Cabbage Patch doll or dancing ballet while approaching her victims; she is a delight to watch. Seriously; this young actress steals the show with every scene she is in.

But it’s not just Alisha’s performance that sells the movie but the other cast members as well. In lesser hands, Abigail would be the movie’s only highlight. The other characters would be mindless meat-bags who serve little purpose other than padding the body count. With Radio Silence, however, each character is wonderfully fleshed out and developed. Not to say there is some hidden depth in these characters. More like they all have well-written, distinguishable personalities that add to the movie’s overall tone and humor.

One particular scene comes to mind. After learning the truth about Abigail, the surviving members get together to come up with a plan of attack. Using vampires in pop-culture, they devise a series of weapons to either kill, or at the least, subdue Abigail. The leads to some brilliant character moments as they argue over the types of vampires seen in movies and how each movie kills them differently. It’s a fun and smartly written bit of comedy that I truly enjoyed watching.

Of course I would be remiss if I didn’t talk about the gore – which this movie has in spades. There is SO MUCH blood in this movie that it makes the elevator scene from The Shining look like a mere puddle. Some of the sets literally get caked with the stuff – a majority of which being done practically which I am all here for.

The action sequences of similar quality. Watching the different characters taking turns beating on, or getting beaten up by, Abigail is entertaining as hell. I don’t know what it is but seeing a 14-year old beating a giant muscle-bound man senseless is just funny to me. It is even funnier when the same man chucks the girl into a wall before running away.

Off the top of my head, I cannot really think of any real flaws that hinder the movie. If anything, all I can say is that it isn’t as funny as their previous movies. I think Ready or Not delivered upon its absurdity better than Abigail does and I also feel like Ready or Not’s higher body count allowed for some more creative and memorable deaths.

Perhaps that is what I am trying to get at. With only 6 criminals and 1 killer, they really couldn’t give us a high enough body count to showcase Abigail’s brutality. After the initial kills, the rest of the movie is more of a cat-and-mouse sequence revolving around the survivors avoiding Abigail while coming up with a means for escape. With Ready or Not, we had a huge cast to take advantage.

I don’t mean to compare the two but with such similar premises, it is hard not too. That said, Abigail still succeeds in its premise; for which I am grateful.

Conclusion

Abigail Group Mansion

Good horror comedies are hard to come by. I feel like most revolve a silly premise and stick to that premise as their primary source of comedy. The downside to this approach is that the joke wears thin by the third act. You can only repeat the same joke so many times before it gets old.

Then you get those horror comedies that take that silly premise and build upon it. The joke evolves as the movie goes on. Abigail is one of those movies. It could have easily been a generic monster movie with brainless, one-note characters and lots of gore but it instead delivers us some witty banter, intense action sequences, and some pretty damn good acting.

The cast is great – again with Abigail actress Alisha Weir stealing the show – the practical effects are delightfully gory and over-the-top, and the fight scenes entertaining as hell. While not as funny or corpse-filled as Ready or Not, it is still a fun movie for anyone seeking a bloody good time.

I give Abigail a 4/5.

Beetlejuice Beetlejuice Teaser Trailer

The teaser trailer for the long-awaited sequel to Tim Burton’s masterpiece, Beetlejuice, has finally dropped. Aptly titled Beetlejuice Beetlejuice, the teaser takes us back to the quaint little town of Winter River Connecticut and let me tell you, it feels good to be back.

I could not help but smile while watching the trailer. The attention to detail is astounding. I swear it looks as if they had not stopped filming from the original movie. The covered bridge, Miss Shannon’s School for Girls, and even the Ditz’s attic; they look fanastic.

As does our cast. Winona Ryder and Catherine O’Hara, despite being older, still look their parts. I also appreciate that new comer Jenna Ortega seems to have her own style instead of being a carbon copy of her mother Lydia. Of course, as this is only a tease, we only get the shortest of glimpses of these characters, but from what little I see, I like.

Finally let us discuss the title character himself. Michael Keaton returns as the ‘ghost-with-the-most’ Beetlejuice and let me tell you; he looks absolutely magnificent. The suit, the makeup, the voice; it’s all there and it is glorious!

Yet something else caught my attention. Something beyond the nostalgia. It was the final frame of the trailer. Did you notice because I sure as hell did.

It was Beetlejuice looking angry.

Not annoyed nor frustrated.

Angry.

Beeltejuice Angry

This makes me curious as to what direction Beetlejuice Beetlejuice will take its namesake. Will he be more of a vengeful spirit this time around? Is he harboring ill-will towards Lydia and her family? How did he come back? Who summoned him and why?

These are just some of the questions I have after watching this tease. Hopefully we’ll get more context when they release the official trailer. And when they do, you can count on me to discuss it here!

So tell me; have you see the teaser yet? If so, tell us your thoughts in the comments below! I would love to hear what you think!

A Grimm Retrospective: Dolls (1986)

One of my fondest memories as a kid was sneaking through the Horror section at my local Blockbuster Video. It was here that I was introduced to the stunning VHS box-art designed to titillate as well as horrify. But there was one movie’s cover that stood out from all the others and that movie was DOLLS.


You see; in the days before streaming, before blu-ray, before even DVDS, we had VHS. Bulky tapes that required rewinding. That needed Vertical Hold adjustments to get a clear picture. Tapes that your VHS player could randomly eat and destroy. These wonderful relics dominated home entertainment as early as the late 70s and stayed popular until the early 2000s when DVD finally took their place. And while I do miss taping my favorite television shows as they aired live, I don’t miss the hassle that came with owning VHS. They took up a ton of space. Rewinding them was a pain in the ass and you never knew when your favorite tape would finally degrade to the point of being unwatchable.


That said, there is something that I do miss about the VHS tapes of yore. That being the box art. They grabbed your attention with their heavily stylized and usually hand-drawn artwork.

What made these so memorable, however, was that some art did not even depict a scene from the actual movie. Instead it exercised creative liberties with the movie’s overall concept. One example would be the box art for the horror-comedy HOUSE. It showed an overly detailed rotting hand ringing a doorbell. I remember it terrifying me whenever I saw it at my local Blockbuster Video. The brown flesh, the cracked fingernails, the visible muscle and bone; how could this movie NOT be scary?


Chopping Mall is another one that stands out. The robotic hand carrying a blood red shopping bag with body parts poking out of it. I learned later that the art had nothing to do with the movie but still! It looked awesome!


You have Fright Night with the clouds forming a vampire’s face above a house, Critters with a Crite standing center stage with that creepy, hungry smile upon it’s face. WaxWork with the butler opening a door to a wall of twisted monstrous faces. And who could forget ALIEN with its minimalist style of a single Xeno egg floating in the darkness of space.


Beautiful. All of them.


But then you had movies that were a mix of live action and hand drawn art. One of my personal favorites was the cover for Dead Alive (Brain Dead). It had a woman pulling her lips apart while a screaming skull peaked out from the inside of her mouth. Or what about THEY LIVE with a closeup of Roddy Piper’s face with an alien reflection in his sunglasses?


You have Tremors with the live action cast standing in the desert with a hand-drawn Graboid tentacle coming up from beneath them and Nancy’s frightened face with Freddy’s claws over her face in the original Nightmare on Elm Street VHS Cover.


The fact is, these covers were a work of art and although every movie had their own style, it was the horror genre that took box art to a different level.

Which leads me to today’s Retrospective.

Dolls (1986): A Visceral Treat for the Eyes.

As I mentioned earlier, there was one movie that stood out among all the others and that movie was Dolls. Dolls had some of the creepiest box art that I had ever seen. It was of a dolly in a red dress and black curly hair. The left side of her face was flawless. Shadows, however, bathed the right side of her face. Through these shadows you could make out the hint of a human skull. Contained within both of her hands, risen for the audience to see, were a pair of human eyes.


It had its desired effect. It scared the living hell out of me. This box art was one of those images that I would see whenever I was alone in the dark. I would imagine that little doll in my closet; staring at me with those empty eye sockets. I hadn’t even seen the movie and already I was afraid of it!
But what about the movie itself?

The original release of Dolls came during the 1985 Italian MILFED Film Festival. It’s story revolves around several people who become stranded in a gigantic mansion during a horrible thunderstorm. As it turns out, the mansion is home to former toymakers Gabriel and Hilary Hartwicke; both of whom welcome the strangers to stay the night.

The group includes a young girl named Judy and her despicable father David and equally foul stepmother Rosemary; businessman Ralph, and hitchhikers Isabel and Enid. The kind-hearted Hartwickes are more than happy to let them stay the night as long as they all behave themselves.


Judy, ever the curious one, discovers that the mansion is chalk full of wonderful toys. This includes stuffed animals, marionettes, and beautifully detailed dolls. Gabriel tells Judy that he and his wife were toy makers and these were their toys. The collection enthralls not only Judy but also the businessman Ralph. As it turns out, Ralph has never outgrown his fondness for toys and is very excited to see such a collection. It does not take long for Judy and Ralph to become friends; having bonded over their mutual love for the Hartwickes’ work.


But the fun doesn’t last long. As the guests turn in for the night, one of the hitchhikers sneak out of their room with the intent of robbing the mansion. What they find instead is a pack of pissed off dolls who brutally attack the hitchhiker. Judy witnesses this event and tries to warn her parents who promptly ignore then punish her for “making up stories”. Upset, she turns to Ralph who, having seen some of the dolls move himself, believes her. Now they must team up to survive the rest of the evening while also figuring out the mystery behind the killer toys and their creators.


Right off the bat I want to talk about the movie’s special effects. They are absolutely fantastic. The crew used a mixture of marionettes, stop motion, and animatronics to bring the dolls to life and it works wonderfully. Because of the different styles of movement, it gives each toy their own distinct aura of creepiness. The jittery, twitchy stop-motion just gives a sense of wrongness to some of the dolls’ movements. Compare this to the dolls controlled by animatronics – with their eyes moving slowly in their eye sockets, their limbs moving smoothly, almost as if they were actually alive – all of which add a sense of danger to these particular toys.

Then you have the bounciness of the marionettes that somehow provide a weird sense of silliness, yet realness, of the situation. There is a scene, for example, in which a marionette gets set on fire. Its body begins bouncing and jerking about as if someone is yanking on its strings. I don’t know why but it just makes the doll feel that much more real. Like it’s actually reacting to the fire. I mean, we know there is a stagehand off camera pulling on the strings to make it move but because we never see the strings or the person pulling it, it just makes the doll feel alive.


On top of that we have the fact that the dolls are not just hollow shells but actual living, breathing creatures complete with a skeleton, muscles, and functional organs. Whenever they take damage, chunks of ceramic break off exposing their ooey gooey insides. It is a wonderful little detail that piles onto that sense of wrongness that I mentioned earlier. It makes us question the toys’ origins. Where did they really come from? How did Hartwickes manufacture them? Are they truly alive or are they possessed by something out of this world? I absolutely love it.


The same cannot be said for some of the characters. While there is nothing wrong with our victims, they do amount to nothing more than a bunch of walking cliches. You have the neglectful father, the cruel stepmother, and the greedy punk rockers. They don’t really have any development outside of their one personality trait but you know what? That’s okay. We are not supposed to root for these people. They are all despicable one way or another which makes watching them get what is coming to them that much more enjoyable.


That said, we do get some great development between Judy and Ralph. As the only characters with good intentions and kind hearts, we cannot help but worry for Judy and Ralph’s safety. I could not help but love the bond that forms between them.


I also enjoyed the toymakers Gabriel and Hilary. They are not just mindless psychopaths, luring people into their home to die for their own sick pleasure. There is a method to their madness and it makes them that much more interesting to watch. In fact, they remind me a lot of John Kramer from the SAW franchise with their philosophy on appreciating the little things in life. I don’t want to go into too much detail but there is a lot more to the Hartwickes than meets the eye.


Then we come to the gore. We get some pretty wicked kills – from someone having their eyes gouged out and replaced with doll eyes, body parts being sliced and chopped with little knives and saw blades, and even a firing squad! But the highlight comes from the doll’s themselves.


Like I said before, the dolls all contain these slimy, almost mummified bodies beneath their ceramic shells. So, seeing their true forms come out whenever they are damaged is a real treat. And they are not created equal either. Some are look as if they had been dead for decades whereas others look as if they were recently deceased. Some have pumping organs, some have red and white muscles, and some even have their eyes intact. I love the variety as it keeps each reveal fresh and unique.
Honestly, I love this movie. The story is simple yet solid enough to keep you engaged, the kills are fun, the special effects top notch, and the victims despicable enough for us to root against. And honestly? I really do believe that this movie helped pave the way for other movies such as Child’s Play and Puppet Master. It contains many elements that both franchises would explore in greater detail and I feel like the effects for Dolls helped inspire the way Chuckie and the Puppets would be animated in the future.


I will always recommend Dolls to anyone who’d listen. It’s fun. It’s unique. And it is one of the few movies that lived up to its terrifying VHS cover.


Please give it a go when you have the chance. I do not think you will be disappointed.

Five of our favorite Christmas Horror Movies.

It is that time of the year again. Time to busy out the Christmas lights, the hot cocoa, and most important of all; holiday horror movies! These are five of our favorite Christmas Holiday Horror movies. Is yours on our list?

Gremlins (1984)

What is it:

Randall Peltzer is desperately looking for a Christmas present for his son Billy. His search takes him to Chinatown where he discovers an antique store containing a small, furry creature called a mogwai. The shop owner’s son secretly sells Randall the mogwai but not before giving him three very important rules in how to handle the mythical critter.

Rule number one: Do not expose a mogwai to light – especially sunlight which can kill the poor creature.

Rule number two: Do not let it come in contact with water.

And most importantly rule number three: NEVER feed it after midnight.

Of course, Randall’s Son ends up breaking all these rules resulting in the birth of violent Gremlins. Now the family must work together to destroy the Gremlins before they overpopulate and destroy the town.

Why we love it:

What I love the most about Gremlins is that it is legitimately terrifying! Sure, Gizmo the mogwai is adorable but his Gremlin counterparts are anything but! Their sharp teeth, beady yellow eyes, and menacing expressions make them a thing of nightmares; especially if you are a little kid who is watching the movie for the first time. This is all thanks to the spectacular special effects done by Chris Walas and his team. They made the Gremlins, and Gizmo, quite believable.

It also balances its horror and suspense with slapstick humor. This is no small feat mind you. If you lean too heavy into the horror than the humor feels out of place. If there is too much slapstick than the Gremlins lose all malice. Luckily it manages to handle both quite well providing us with a memorable, and surprisingly dark, Christmas movie.

Krampus (2015)

What is it:

A dysfunctional family has a rather nasty Christmas dinner resulting in the youngest son Max tearing apart his letter to Santa. Unfortunately, this blasphemous act summons the “Shadow of Santa Klaus” – a monstrous and powerful deity known as Krampus. Krampus, along with his army of elves and evil toys, seeks out Max and his family to punish them for losing the spirit of the holiday.

Why we love it:

A horror movie about Krampus is nothing new. Just google “Krampus movies” to see dozens upon dozens of movies dedicated to the so-called shadow of Santa Claus. So, what is it about the 2015 movie that makes it stand out above the rest?

Well, it’s because this movie has something the others don’t.

Heart.

I know that sounds like a line out of a Saturday Morning Cartoon but it’s true. Behind the terrifying creature designs and chilling atmosphere is a heart-warming story about two families coming together. You have the well-off and privileged Engels (the family where our main character Max comes from) and their rough and tumble cousins who live like a family of survivalists with a “strong eat the weak” mentality. They are opposites in every definition of the word. So much so that the entire first act is dedicated to showing how incompatible they are as not only family but friends as well.

But that doesn’t stop them from putting aside their difference with the crap hits the fan. As soon as they realize something is wrong, they band together. And it is through this team-up that they discover that they are not as different as they once thought.

This is the core of Krampus. Yes, it is a horror movie with spectacular practical effects (seriously, the design of Krampus and his elves are god-tier.) but it is also a movie about family coming together when times are their roughest. It is this reason that makes Krampus a must-watch during every holiday season.

Rare Exports: A Christmas Tale (2010)

What is it:

A group of Finnish hunters discover that their season has been ruined after discovering hundreds of massacred reindeer in the snowy wilderness. They set up a series of traps in hopes of catching whatever it was responsible for the animals’ deaths. Thinking that wolves were responsible, they are shocked to discover the body of a grizzled old man inside their pit-trap.

It doesn’t take long for the hunters to realize that there is something sinister about this old man. Enticed by gingerbread and lured by the flesh of children; the hunters believe that this is no man but Santa Claus himself.

Why we love it:

There is something unsettlingly funny about Rare Exports and I think it is because of how serious it takes itself. On the surface it sounds rather silly. A movie about reindeer hunters capturing and auctioning off a feral Santa Claus? It sounds like something you’d see on television as a Christmas comedy special. But the fact that every member of the cast and crew treats this as a serious movie, with Santa being a serious threat, that makes the movie that much more enjoyable.

The humor does not come from one-liners or slapstick but from the ridiculousness of the situation. But do not, for one second, think that its ridiculous nature undermines the horror. The movie is still scary but in an unsettling way. Even when nothing is happening you cannot help but feel a sense of wrongness in the air. You can contribute this with the fantastic way the movie is shot – with lots of quiet moments, sweeping shots of the frigid landscape, and wonderful sound design.

And as much as I would love to discuss the second half of the movie, I fear that by doing so I will be ruining some of the best parts of the movie. So, with that said, I do recommend Rare Exports if you are in the mood for something different in your holiday horror lineup.

Santa’s Slay (2005)

What is it:

Santa is not the happy-go-lucky elf that we all know and love. He is, instead, a demon who lost a bet with an angel. His punishment? To spend the next 1,000 years spreading joy and happiness to the people of the world.

Unfortunately, the 1,000 years is up, and Santa is looking forward to spending this Christmas doing what he does best –anyone and everyone in his way. So, you had better watch out and you better prepare to cry because Santa Claus is coming to town.

Why we love it:

Now don’t get me wrong. This movie is dumb. It is a dumb, stupid, pointless movie with very storyline, useless characters who exist only to die, and is based off an idea that has been done to death. A killer Santa? We’ve seen it before. It’s nothing new.

So, what makes Santa’s Slay worthy of our annual holiday horror marathon?

Two words: Bill Goldberg.

The wrestler-turned-actor is the sole reason to give this movie a chance. Not only does he make it watchable, but enjoyable as well. Every scene he is in he is hamming it up for the camera. You know Goldberg understands the kind of movie he’s in. As such he spends his time chewing the scenery; spouting a ton of Chrismas-themed puns as he uses his experience as a wrestler to manhandle his victims in a variety of hilarious methods.

Although it does get a bit slow in the middle, it still manages to provide us with a fun albeit stupid good time. This is the perfect holiday horror movie to throw on in the background as you go about wrapping presents or baking goods. Something that is great background noise that you don’t have to pay much attention too to enjoy.

P2 (2007)

What is it:

Businesswoman Angela Bridges is kidnapped by an awkward security guard who confesses that he is in love with her. He is convinced that he and Angela are meant to be together and will stop at nothing to get his way.

Why we Love it:

Holiday horror generally tends to focus on the more comedic elements of the genre. I mean, just look at this list. Everything previously can be considered horror-comedy. Even ones that take themselves seriously as Rare Exports does – it still has a tinge of comedy to its darkness.

P2 is not one of these movies.

P2 is first and foremost a psychological thriller. It is a slow, satisfying burn that relies on atmosphere and suspense instead of slapstick and humorous dialogue. And what makes P2 so scary is how real it feels. This is a movie that preys on a woman’s biggest fear: being stalked and manipulated by a toxic, violent person who is obsessed with her.

Log Out

The suspense is only compounded by Wes Bentley’s performance as stalker Thomas Barclay. How easily he transforms himself from condescending “nice guy” to psychotic sociopath is brilliant. It just makes him that much more unnerving as you can never tell what he is going to do next.

But I’d be remiss to mention Rachel Nichols as Angela Bridges. To put it simply; she is badass. She is resourceful, manipulative, and not afraid to get her hands dirty when the situation calls for it. You cannot help but root for her as she tries to outmaneuver the obsessive and cautious Thomas Barclay.

And for those who say that P2 is not a Christmas movie; I tell you to watch it again. Not only does it take place during Christmas Eve, but it also includes Christmas Lights, Christmas music, and even a Christmas dinner with all the trimmings.

Take that, Die Hard!

Godzilla Minus Zero Review: A Gargauntuan Terror with a Lot of Heart.

What is is About:

Godzilla: Minus Zero follows the story of disgraced Japanese kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki). Koichi, unable to go through with his suicide mission, fakes engine trouble and lands on the small repair station on the island of Odo. It is here where he suffers through an unforeseen catastrophe that leaves everyone at the station dead save for himself and one other mechanic. With the war coming to an end, Koichi is discharged and sent back home.

It is here, in the shambles of his war-torn home, that Koichi meets two other survivors: the resourceful Noriko (Minami Hamabe) and a baby she rescued named Akiko whose parents were killed during the bombing of Toyko. Wracked with survivor’s guilt, Koichi reluctantly allows the two to stay with him.

At first it seems like Koichi will finally be able to get past the horrors witnessed during the war. He gets a job, makes new friends, and even helps his community. Unfortunately, this all comes to a crashing halt with the appearance of a gargantuan creature known only as “Godzilla”.

With Japan on the verge of total annihilation, Koichi must face his inner demons if he has any hope in protecting all that in which he loves.

Review:

My relationship with Godzilla is a complicated one. I’ve always been a fan of the franchise despite never actually finishing a Japanese Godzilla movie. I have seen bits and pieces of them but never actually sat down to watch one. Because of this, my primary exposure to Godzilla came from the American movies – the 1998 Godzilla, the cartoon series on Fox, and, of course, the latest Monsterverse series. This makes Minus Zero the very first Japanese Godzilla movie that I’ve watched from start to finish.

And it blew me away.

I cannot describe in enough detail just how much I enjoyed this movie. It took the one complaint I had with the Monsterverse franchise – the human element – and made it not only the most important part of the movie but the motion engaging and emotional part as well.

I am not ashamed to admit that I watch Godzilla for the carnage. I want to watch a giant lizard beating on other giant monsters while destroying everything in its path. As such, I am not really a fan of the so-called human element that the Monsterverse crams into these movies.

However, that isn’t the case for Minus Zero.

The best way for me to describe Minus Zero is as follows. The Monsterverse movies are Godzilla films that just so happens to have people in it. Minus Zero is a war film that just so happens to have Godzilla in it.

Koichi’s story, along with stories of those around him, is so compelling that even if you removed Godzilla, it would still be a great movie. Watching Koichi battle his inner demons – his survivor guilt, the disgrace he feels from abandoning his kamikaze mission, and the struggles he faces daily to redeem himself – makes for a phenomenal character story.

Ryunosuke Kamiki’s performance as Koichi is masterful. You feel every raw emotion that goes through his mind. You feel his fear at going into battle. The guilt he suffers through from being one of the only two survivors on Odo. And the angry, primal pain he goes through when witnessing Godzilla’s destructive power.

I also love that he is not the typical “hero” that we’ve come to see. He doesn’t make these grandiose speeches to rile up the crowd nor does he run into battle guns blazing. He’s just a man. A man with fears, insecurities, and nightmares. As human as you and me.

The rest of the cast is just as good. There is not one person in this movie whom I feel is a waste. Koichi’s work friends are fun and entertaining to watch. The chemistry between the actors felt real and authentic – so much so that I found myself worrying constantly for their safety.

As for the finale? Oh man. Seeing the fear on their faces as they witnessed the sheer power of Godzilla in all his glory. I could not help but clutch the arms of my chair. What phenomenal acting by everyone involved in this movie.

And speaking of Godzilla. I’ve always heard of him being described as a “Force of Nature” and Minus Zero is the best example of that descriptor. He is literally an unstoppable force; a being of pure destructive power and we are but ants. Normally I cheer whenever Godzilla appears on screen but this time, I feared his presence. This was not the cartoony action “hero” that I’ve grown to love in the Monsterverse.

No.

This Godzilla is a monster through and through.

Now as much as I would love to go into more detail, I fear that if I did, I would be stepping into spoiler territory. So let me conclude with this final message.

If you have the chance to see this in theaters, do so. I went to see this in IMAX, and I don’t regret it one bit. Not only is the movie visually beautiful but the sound design is top notch. I felt every footstep, every growl, every roar as if I was there in front of Godzilla. And when his theme song kicks in – booming over the theater speakers? Oh man. What an experience.

I give Godzilla Minus Zero a 5/5.

‘Thanksgiving’ Review – A Well-Cooked but Under-Seasoned Meal.

What is is About:

A Black Friday sale in Plymouth Massachusetts goes wrong when a riot breaks out resulting in several deaths. Now, one year later, a mysterious man dressed up as John Carver is killing those responsible for the riot.

Review:

Thanksgiving comes from the mind of Eli Roth (Hostel, Green Inferno) and Jeff Rendell. It is based off their fake trailer, also titled Thanksgiving, that was created for 2007 film Grindhouse. In the trailer we watch a pilgrim-themed killer committing all sorts of horrific Thanksgiving-themed murders done in a deliciously corny, albeit extremely violent, Grindhouse fashion.

Eli Roth describes the 2023 movie as the “Remake” of the grindhouse movie that no longer exists. Instead, he delivers onto us a more traditional slasher movie complete with a “teenage” cast and a classic ‘whodunit’ storyline. And as a traditional slasher, the movies excels. It movies along at a brisk pace with likable characters, humorous moments, and of course, lots of kills..

What it fails at, unfortunately, is the ending. I do exaggerate when I say that Thanksgiving was rapidly climbing my list of favorite holiday-themed horror movies. It had everything I wanted. It was funny, it was creative, it had a compelling mystery that kept me guessing but all of this fumbled at the 1-yard line. I do not really know the situation (if there is one) that resulted in the ending feeling so abrupt and rushed, but I will say that it left me a bit disappointed.

Now please, don’t get wrong. The movie as a whole is entertaining as hell. I cannot tell you the last time I saw a traditional slasher movie as good as this one. It really felt like it was an homage to the ultra-violent slashers of the 80s and early 90s. Not to mention that the characters were surprisingly likable. I found myself rooting for them and it was always a bummer when one of them was attacked.

That said, the movie is not flawless. There are some odd editing moments sprinkled throughout and some of the acting felt a little wooden but none of these really bothered me.

Up until the ending. I cannot go into too much detail without spoilers. What I can say is that the ending felt incomplete. I do not know if this was intentional – setting us up for a sequel – or if it was just another example of writers not knowing how to end their movie. Either way, I could not help the sense of disappointment that I felt once the movie was over.

In conclusion, I do recommend people giving Thanksgiving a chance. I am sure that they will enjoy it despite the ending. So please, check the movie out and let me know what you thought. I will love to hear your opinions on it.

TLDR:

Pros:

  • Fantastic practical effects for a majority of the gore.
  • Feels very much like an homage to the classic, ultra-violent slasher movies of the 80s and early 90s.
  • Likable characters.
  • Lots of genuine humor.
  • Wonderful side-characters that really help make the town feel real and lived in.
  • Tense opening sequence with the Black Friday riot.

Cons:

  • Some gore is notably CGI. Not enough to ruin the immersion but always prefer practical.
  • The final act feels rushed and has some odd editing choices.
  • The ending is severely lacking.